a) the greatest resistance to the dictatorship took place through the press, against which there was no censorship.
b) the National Congress could not exercise its constitutional function of overseeing the actions of the executive power. The president-generals exercised their totalitarian power over the country's economy, politics and culture.
c) unions and student organizations were supervised by the political police, having no voice at all.
d) there was always resistance to the military regime. Through student demonstrations, urban and rural guerrillas and the mobilization of civil society, workers, intellectuals, lawyers, teachers, peasants, housewives, politicians and students said no to the dictatorship.
Question 02 - CEFET-MG - 2013 - Technical External and Subsequent Concomitance - The period between 1969 and 1973 is known as the “Years of Lead” of the Brazilian military regime. This period was characterized by
a) clash between army factions and state militias.
b) conflict between nationalist and entreguistas parties.
c) confrontation between the federal government and urban and rural guerrillas.
d) clash between political forces with federalist and regionalist tendencies.
(http://www.sul2013.historiaoral.org.br/resources/anais/2/1267925985_ARQUIVO_ArtigocompletoaserenviadoaoXEncontroNacionaldeHistoriaOral.pdf).
Question 07 - CESGRANRIO - 2013 - PUC - RJ - Ten years after the 1964 coup in Brazil, the military regime began a process of political distension. This period of “political openness” lasted until 1985, when the country returned to a civilian president. About this period (1974-1985), IT IS INCORRECT to state:
(C) The period of the Cold War in Latin countries.
Question 10 - UFF - The 1964 coup and the resurgence of the military regime after 1968 - 1969 also affected the production of Brazilian artists and intellectuals. Tick the option that best explains the Brazilian cultural scene in the so-called "lead years".