What is and example of a perspective that might be outside the scope 19th-century western canon?

One example of a perspective that might be outside the scope of the 19th-century Western canon is the perspective of indigenous peoples. The Western canon is a body of literature, art, and music that has been traditionally considered to be the most important and influential in Western culture. It is largely based on the works of European and American authors, artists, and musicians.

The perspective of indigenous peoples is one that has often been marginalized or excluded from the Western canon. This is due to a number of factors, including colonialism, racism, and cultural bias. As a result, the voices and experiences of indigenous peoples have often been silenced or misrepresented in Western literature, art, and music.

In recent years, there has been a growing movement to decolonize the Western canon and to include more diverse perspectives. This movement has led to a greater awareness of the importance of indigenous voices and experiences, and has resulted in the inclusion of more indigenous literature, art, and music in the Western canon.

One example of an indigenous perspective that has been included in the Western canon is the work of the Native American writer Sherman Alexie. Alexie's writing often deals with themes of identity, racism, and poverty, and he offers a unique perspective on the experience of indigenous peoples in the United States. His work has been praised for its honesty, its humor, and its ability to challenge stereotypes about Native Americans.

The inclusion of Sherman Alexie's work in the Western canon is a sign that the canon is becoming more diverse and inclusive. It is also a sign that the voices and experiences of indigenous peoples are finally being heard and respected.