The stillness of the forest in the middle of the desert, where old carob trees reign and their shoots of different ages and shapes and the court of zapotes, faiques and palo verde shines, is the magnificent setting where the traces of the ancient theocratic kingdom of Sicán, in the form of great truncated pyramids that have resisted five hundred years of looting and abandonment. However, despite everything, they are still capable of giving us evidence of their fateful power and greatness:for almost three hundred years, at the end of the first millennium AD, The Sicán made their terrible power the predominant and influential force of a wide territory that included from the south of Ecuador, to the borders of Pachacamac and Ancón. Approximately six thousand hectares are covered by the Pomac Forest Historic Sanctuary, the largest dry forest in America and probably in the world, a set of species of flora and fauna adapted to the exceptionally dry climate of the coastal desert, which lives from the contact found with water underground by the strength of its roots and propitiator of a surprising fauna due to its variety.
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The power of Sicán Perhaps not a unique case in the rich history that has transpired in the Peruvian territory, populated by valuable cultural manifestations ignored, the memory of Sicán has taken time to impose itself in the eyes of Peruvians and the world. The great revealer of the importance of Sicán, the Doctor Izumi Shimada, characterizes it chronologically based on studies of its ceramics, in three periods:Early Sicán, which would have existed between 700 and 900 AD, Middle Sicán between 900 and 1100 AD, and Late Sicán between 1100 and 1350 AD. It is to Sicán Medio, however, that we must attribute the most important contribution and legacy in works of fine metallurgy, ceramics, refined technique and forms of coexistence in nature, that a very modern Sicán Museum – intensely promoted by Dr. Shimada and obtained thanks to Japanese cooperation – it doesactically exposes us to a few kilometers from the forest where such vestiges were found. Not the only ones, however. It can be safely affirmed that almost eighty percent of the ancient objects carved in gold and other metals, coming from our territory, which are in private collections and museums in Peru and outside Peru, and which cause the admiration of the world for the mastery of our artisans come from Batán Grande, a name by which the area where the center of Sicán power was located is also known, in what is now the Pomac Forest Historic Sanctuary.
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